I saw a lot of magenta, blue, and yellow tints throughout the various clips. I went online and watched a bunch of YouTube videos of people filming in Super 8 and tried to take note of any particularly unique characteristics in the color and texture of the film. If there's any degree of smooth movement or "expert" camera operation, the effect gets diminished. Then, when you're out shooting, don't hold the camera too steady. Focus on the action, not the environment.įirst, turn off any IBIS that your camera may have. As such, there was very little, if any, focus on framing or camera position. Super 8 films of yesteryear were mostly parents and teens that were just having fun capturing the moment. Make sure to compensate for this sharpness when you edit the footage later. Sometimes, in the right situation, I would shoot completely stopped down. Be careful, though, because shooting at or around f/8 will sharpen up your image a lot. For me, that was 15 fps.īokeh will absolutely kill this effect. There are a number of ways of interpolating the footage in post-production to get this effect, but I recommend going into your camera's "S&Q" function and use a setting that gets closest to the 18 fps margin. These days, the baseline for almost every camera in production is around 24 frame-per-second. Super 8 cameras typically shot anywhere between 12 and 18 frames-per-second. Here are the key things you'll want to remember: In this tutorial, I'll show you what you need to know in order to pull off the effect both in-camera and in post. However, if you really want a custom look, you still have to do it yourself. Instagram filters, presets, in-camera color profiles ( Fuji's to be specific), and an innumerable amount of Instagram-friendly apps are all embracing the vintage and "home-video" style of imaging.
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